








(10/10)
Review:
I took the Producing course at the Met film school earlier this year. It was a part-time programme that ran 2 evenings per week for 14 weeks. It really was the intensive course I was promised - it involved a lot of work outside of the two evening seminars, and I was working full-time as well. However, the exhaustion was well worth it - I learned more than I ever imagined and when I finished the course I left the school with a producing partner, exec. producer/mentor, production company, a feature film project and an option on a novel! The course covers all aspects of producing, from development, physical production and post-production to financing, legals, distribution, festivals and exhibition - and all of the tutors really are working professionals in the area they teach in. For example, the tutor for legals was a media lawyer and independent feature film producer, the post-production was taught by a post-production supervisor and the distribution was taught by the acquisitions manager from a leading UK distributor. Despite their busy schedules, the tutors were fully focused on educating the whole group as best they could and i was pleasantly surprised that they were all willing to offer help above and beyond that they gave in the weekly sessions. I am in fact still in email contact with many of them now and one is executive producing my first two projects. I think the fact that they are working in the film industry means they are much more enthusiastic about training young talent as they not only want the industry to grow with fresh 'blood' but they also clearly remember how hard it was when they were starting out. The Met claim that their focus is on practical, vocational training. I was of course skeptical when i started this programme as it didn't come cheap (£2,500) and film schools have a reputation for being purely money-making machines. However, from day one of the course I knew that the Met would be different. There were only 6 people in the class and all a range of ages, experiences and backgrounds, which meant that in many ways we learned as much from each other as we did from the tutors. We also had our first one to one with the course leader in the first week of the course and it was so motivating to have someone who really wanted to know what I was aiming for and could immediately begin putting me in touch with the right contacts and giving practical, useful advice, both for my career and individual projects I was working on. As I said at the start of this review - I left the course feeling confident and equipped to set up my own independent production company with another producer I met on the course. We are now steaming ahead with two feature film projects and working with a development assistant, writer and executive producer to develop and package them - so watch this space! I honestly could not have done this without the Met and I would highly recommend this course and the film school in general to anyone wanting REAL film training.
Review Submitted by: Becky Baxter (unverified)
Related Link: Met Film School
Comments
Met Film School
I attended the one year practical film making course at the met which started at the end of last year. I hadn't had any film experience before starting the course so it seemed like a good place to start the journey into the film industry. All three terms are intensive but what you learn from the lessons and exercises is invaluble, certainly for for someone who has no experience with film making. After having shot my first short and then watched it back with my directing mentor and other students, i gained constructive criticism on what i could do to improve my film making technique. All the staff at the school who taught us over the course of the year where very helpful and even if we didn't have a particular intrest in the field that the lesson was about (i.e cinematography etc) the lessons were still useful as it gave an understanding of what was involved with it. The staff in the production office as well are great and willing to help if there are problems. The one to one sessions with directing mentors or the course director help you to start working out what sort of line of you are looking for with in the industry and help you decide upon short and long term aims. Now that i have two shorts under my belt i am looking to get a couple more done, taking on board what i learnt over the course. If i hadn't taken this course and not been encouraged to keep going and not give up then i doubt i would have pursued a career in the film industry. The film school itself teaches the skills and techniques that are used in the industry today and as a result you know what to expect when on a film set. I would recomment this course and school to anyone who wants to or is considering a career in film.
Filmmaking as a full time career
Alexia here, i've been interested in filmmaking ever since i got my own handycam in 7th grade. Didn't pursue my passion until about two years ago when i decided that i wanted to take filmmaking from being a hobby to being my full time career. I put together my ideas and plans and went out to find funding, that didnt turn out so well as I wasn't formally trained. I'm now based in asia, teaching English as a Second Language, and im scouting for some filmschools in the region. One school that caught my attention is the International Academy of Film and Television. I was hoping anyone in the forum is currently enrolled in any of their film programs, i would really like to hear an insiders opinion.
Invitation to Submit to Moving Image Film Festival
Dear Director:
The Moving Image Film Festival would like to invite you to submit your film for our festival screening this season. We hope you will take the time to submit and send us your screener.
Our festival runs from Nov 5 – 8, 2008 in Toronto. To learn more about our festival please visit www.miffest.com.
Sincerely,
Moving Image Film Festival
192 Spadina Ave. Suite 408
Toronto, Ontario M5T 2C2
i...@miffest.com
Again
It has been three years in the making. I agreed to do it with a producer friend who accepted to partly fund it, but I did the filming alone. Most of Ballerina was shot when, by chance, I met a broadcaster from TV5 who decided to pre-buy it.” With the broadcaster’s help, Bertrand had enough capital to hire crew. “We have been able to have a real post-production, with a good editor, and everyone getting paid.
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Congratulations to the
Congratulations to the filmmakers! And for anyone who can’t make it to New York in May to see the film.
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